Concert

August 6th 2016

Entrance 7pm

Start 8pm

Music on found non-instruments. First played in the dark. Sometimes borrowed from the world and transferred to the computer. Loops and toy-pianos – zither and glockenspiel – bontempi meets accordeon – a lonely metronome. 

Timo C. Engel performs his atmospheric Lo-Fi pop hymns on stage with his choir, first minimalistic then opulent. 

BLEEDINGBLACKWOOD and THE BERNSTEINS choir let these catchy and whimsical treasures shine in the night as well.

https://www.facebook.com/Bleedingblackwood

https://www.facebook.com/TheBernsteins

Opening: 22. July 7 PM

22. July – 4. August

The world is collapsing under the right wing extremists, pollution, mass control, and oppression.
Art could be the only way to escape all this mess we are in now.

How? Creating more mess, chaos and confusion.

The artist Rallitox de la Fe will show us some performances, paintings, collages and texts about the Confused Street Art Movement and his relationship with Berlin.

Exhibition, Talks and performances will take place during the show.
www.rallitox.org

BILDER

The exhibition showcases „Jägerporn”, a project that
Berlin-based designer Anaïs Edely completed as
artist-in-residence at Grafisch Atelier Daglicht and me-
tal-casting foundry Beeldenstorm in the Netherlands.

Each evening of the exhibition-week will give a space
to the three notions binding Anaïs Edely‘s body of work:
The Body, the Movement and the Gaze.

– Saturday 2nd of July – VERNISSAGE
The exhibition opens at 4:00 pm. 7:00 pm Vernissage.
8:30 pm Montreal-based drone, experimental techno
artist ti-hawk from the happymovie duo.

– Monday 4th – Dance
7:00 pm Gaga by Melanie Sorin. Come move from top
to down and back again. A body-journey for yourself,
altogether. 60min.

– Tuesday 5th – Performance
7:00 pm The Elderly by Mathilde Benignus. Open eyes
and ears. About old ladies and the fear of being forgot-
ten. 20min. Kirsch Likör im Anschluss.

– Wednesday 6th – Sketching
7:00 pm Sketching time by Anaïs Edely. Bring pen and
paper to play with ease and speed. 90min. Bar is open.

– Thursday 7th – Live Sketching
6:00 pm Carte Blanche für das Modell by Naïma Ferré.
Where movement and stillness follow a same inner fl ow,
let it rock on your sketchbook. 90min.

– Friday 8th – Closed

– Saturday 9th of July – FINISSAGE
7:00 pm Audio-visual dance improvisation. An interdici-
plinary performance with Dance (Naïma Ferré), Electro-
nics (Gösta Wellmer) and Live-Sketching (Anaïs Edely).
8:00pm Artist talk & Jägermeister Abschied.

.

BILDER

17. Juni – 26. Juni 2016

Eröffnung 17. Juni 2016 20.00 h
Der Berliner Gespensterchor 20.30 h
MORE BLACK THEN GOD 21.00 h

Öffnungszeiten: nach Vereinbarung

angela.grasser@gmail.com

www.angelagrasser.de

BILDER

VERNISSAGE 9 JUNE ab 20:00

Opening times exhibition: 10-12 June 12:00-20:00 Uhr

Prophit Art Zine and R. Raum für drastische Maßnahmen present a Group Exhibition of 12 Berlin based Analogue Collage Artists. What better way to celebrate DADA’s 100 Year Anniversary, than a DADA themed issue of Prophit Art Zine and matching group exhibition? All collages are analogue made and of the same essence as the collages that were made and revolutionized the art scene many years ago. With this exhibition we show that DADA is still very much alive and its ideas and ways still run through the Berlin art scene.

At the vernissage Prophit Art Zine will be released and sold featuring the collages of all artist involved in the group exhibition.

Aline Helmcke
NOIR
Taher Jaoui
Lula Valletta
Anelor Robin
D.M. Nagu
Lydia Mojzis
Christian Elixmann
Jorge Chamorro
Linda Werner
Stefan Schneider
Caro Mantke

(Bild: Jorge Chamorro)

BILDER

   26. Mai – 05. Juni 2016

May 26 19h *Vernissage
May 27 17 – 20h
May 28 19h *Film screening Burning from the inside + Q&A with filmmaker Marsia Tsivora
May 29 17h- 20h
May 30 19h *Podium Discussion „Crisis, Art, and Media“ with Todd Lowery, Panos Leventis,           Eva Fotiadi and Julia Tulke
May 31 17h – 20h
June 1 17h – 20h
June 2 17h – 20h
June 3 17h – 20h
June 4 17h – 20h
June 5 19h *Finissage

This exhibition combines two bodies of artwork by Todd Lowery. Each series takes post-2008 socio-urban events in Athens, Greece, as its nucleus.The first body of work, „Stin Pira“ („Into the Pyre“, 2009-2011), is a series of paintings on paper that centers on the civil unrest that began in Greece in late 2008 as viewed through internet imagery, then filtered through painting.In December of 2008, responding to the police shooting of 15 year-old Alexandros Grigoropoulos in the Athens neighborhood of Exarcheia, the public took to the streets in protest across the Athens basin and throughout many cities in Greece. While the majority of the demonstrations were peaceful, the images that proliferated across social and news media emphasized the instances of police/protester collision and the drama of cars and buildings set aflame, burning at night. With physical and ideological location and context lost to a larger audience, in the darkness beyond the fire in the photos, the images became specters and spooks that seemed all the more threatening because they existed nowhere and everywhere all at once.The second body of work, „Enoikiazetai“ („Athens for Rent“, 2013), is a photographic series that focuses on the economic collapse and the impact it has had on the affluent seaside Athens suburb of Glyfada.Glyfada is the heart and commercial hub of the southern part of Attica, the Athens metropolitan area. Even though it is one of the most reliably stable retail centers in Attica, the economic crisis afflicting Greece displayed itself in the empty storefronts of numerous closed businesses. „Athens for Rent“ is a project from summer 2013 documenting abject spaces of Glyfada. Each photo was taken through the front window of a different store bearing an „Enoikiazetai“ sign. The images of these found, abandoned interiors are portraits of resonant space filled with the whimper of failed commerce, wraiths of ambition, and echoes of aspirational affluence’s siren call.

BILDER

29.4. Vernissage ab 20 Uhr

29. April – 06. Mai
Öffnungszeiten:
02. – 05.05. 2016  19 – 22 Uhr
6.5. Finissage ab 20 Uhr

Oh, RGB!
Oh, Internet!
Oh, Iphone!
Yes, connected!
Oh, overload!
Beep beep!
You got mail!
Your computer is your bible?
You better grab earplugs.
An installation about the digital world. With fog!

BILDER

Ein Trio von grässlicher Herrlichkeit!

Vom Etablieren der Ausreden
Bodensatz bis Bilderberg
Alles muss Rausstellung
Euer Dreieinfaltigkeit

Olle Trends verprassen
Im Brandfall bitte hängen lassen

Stattlich Werkstattwerke
Interaktiver Ersatzverkehr
50 Jahre Nasenhaare
Aufgang der Bilderschlächter

Wer hat es vekackt?
Tikk, Dreck und Fuck!

BILDER

Renke Brandt verlässt beim Fotografieren selten den Wohnraum. Da er aber auch mal die große, weite Welt, Hochzeitsfeiern und Elefanten in seinen Bilderkosmos aufnehmen wollte, bedient er sich jetzt an den Privatfotos anderer und hübscht sie auf. Dies hat seine Motivpalette enorm erweitert! Man kann ja nicht immer nach Paris fliegen, wenn man mal Lust hat den Eiffelturm zu fotografieren.
Johann Sturcz testet Laserschwerter, fabriziert analoge Artefakte und theorethische Skulpturen, Ding-Deklinationen oder Pixel-Variationen. Von digitaler Muttermilch genährt, sind diese Zwischenbilder, Lückenfüller, Resultate einer aufrichtigen Forschungsarbeit der Motivverträglichkeit – gedacht – um vieles, nicht alles, sich zum Freund zu machen.
Beide Künstler arbeiten im Bereich des Möglichen und haben eine Schwäche für Zimmerpflanzen.

BILDER